Degree Show – Research

28th April 2018

Investigating more political collage today – the following two artists I find interesting because they work in a similar way to aspects of this project that I have been considering. In relation to my own work and Tryweryn, certainly the site has a lot of historical context and the trauma experienced by the people may no longer be physically seen at the site, yet continues to this day. Cutting out or removing past elements and placing them over current elements I find an interesting way to work.

Maria Berrio

56144b221800002e00dc15a7I just draw with scissors,” Colombian artist Maria Berrio said of her practice. Her “Nativity” work above features Japanese paper and rhinestones along with watercolor and acrylic paint. “There is pleasure in the raw physicality of the art form — not simply applying a medium, but tearing it, forming it, cutting it, spreading glue with sticky fingers, feeling the various textures of the different papers … At times it seems I am more excavating a mystery hidden below the canvas than creating a work, ideally to convey that sense of awe and wonder at the majestic, enigmatic beauty of things.”

https://www.huffingtonpost.co.uk/entry/cut-n-mix-contemporary-collage_us_56142ccde4b022a4ce5fdc97?guccounter=1

Michael Paul Britto

56142cc81800002d00dc1558Michael Paul Britto (born 1968) is a New York contemporary artist who explores the consequences of racial inequality through photography, video, collage, sculpture and performance.[1] Britto shines a light on important racial issues using contemporary art. His work has been exhibited predominantly in New York, but also internationally, with exhibitions in Spain, Poland, and England. In 2004, he won the Individual Artist grant from New York State Council of The Arts, and in 2005, he was awarded the Media Arts Fellowship Grant from the Rockefeller Foundation.[2]

https://en.wikipedia.org/wiki/Michael_Paul_Britto

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